|
Constantin
Cheveresan – On British Naturist Poetry |
|
Silvia
Florea – Ezra Pound: A Mover in the
Modernist Movement |
|
Didi-Ionel
Cenuser – Faulkner’s “Agony
of Ink” in The Sound and the Fury |
|
Sorin
Stefanescu – Hemingway’s “Hills
Like White Elephants” – A Structuralist Approach |
|
Ileana
Cristea – Harlem and the Black Renaissance |
|
Alina
Onet – The Sense of Failure in D.H.
Lawrence’s Sons and Lovers |
|
Liliana
Ciocoi-Pop – The World of Ideas between
the Sublime and the Grotesque in Antic Hay by Aldous Huxley:
A Parallel with Camil Petrescu’s Work |
|
Mihaela
Irimia – Of Typewriters, Types, and
Writers: Elizabeth Bishop in a New Context – A Transatlantic
Visitor’s View |
|
Alexandra
Mitrea – Identity as a Locus of Polarities
in Saul Bellow’s Work |
|
Lucia
Pavelescu – A “One Hand Clapping”
Approach to Life |
|
Olga
Stroia – Variations in John Fowles’
Literary Work |
|
Clementina
Mihailescu – Players Unaware of the
Game: Non-Apperception of the Evil vs. Apperception and the
Love of the Good in The Flight From The Enchanter |
|
Gabriela
Nistor – The Paranoic Dimension of
James Kelman’s Short Story Character |
